What is real? What is unique? Polaroid photography embodied both for a long time. Today, it is experiencing a renaissance both in its original form with the help of old Polaroid cameras from flea markets and in hybrid form, i.e. analogue-digital, app-controlled or even entirely digital.
Here, nothing is real: for this work, I let an AI generate thirty-three portraits based on baroque models. Therefore neither the scenes nor the people depicted ever existed. And yet the Polaroid as a medium lends this work something plausible and authentic.
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