[apvc_embed type=”customized” border_size=”2″ border_radius=”5″ background_color=”” font_size=”14″ font_style=”” font_color=”#938fc5″ counter_label=”Visits:” today_cnt_label=”Today:” global_cnt_label=”Total:” border_color=”” border_style=”solid” padding=”20″ width=”220″ global=”true” today=”true” current=”true” icon_position=”” widget_template=”schattenbox” ]
Tag: Animation
Patterns
Nature is determined by chaos as the driving force that leads to order. The strongest form of order is a pattern or rhythm.
2016, Videoinstallation, 9:50 min
“After all, rhythm is the repeated pattern itself – the code and the looping. And we all dance to that. We dance to a choreography that is pre-programmed into the interface. This choreography has power: it is the planned moves of control.(…) But really we are just making the same old moves that everyone else on the dance floor is pushing out of their (seemingly) free flowing limbs. We dance, and we are part of the choreography of control.” Renee Carmichael/ fleeimmediately.com
Part one – Patterns
Patterns are regularly recurring structures generated from modules in predefined order and repetition. As individuals and social beings we are naturally influenced by patterns: heartbeat and breath have a rhythm (auditory pattern). The genetic code resembles a pattern. Metabolism is determined by “patterns”: Nutrient absorption, transport, transformation and excretion – as well as the course of nature: spring, summer, autumn and winter – birth, growth, reproduction and death. We surround ourselves with patterns: wallpaper, patterned textiles, music, dance, customs, behaviour. Patterns give us security because they are predictable.
Part two – the machinery
Patterns also help individuals to fit harmoniously into society and contribute to its success. This fact makes us similar to machines. These work because drives and gears follow certain patterns and thus keep the machinery moving.
Part Three – Perpetual Motion
We are part of a system made up of individuals who function according to patterns. If one part fails, it is replaced by another working element – a principle that keeps a system in constant motion.
Dancer: Alessandra La Bella, Jennifer Ruof, Silvana Lemm, Therese Madeleine Thonfors, Natalie Farkas
Memento…Boltanski!
2016, 4:55min, fHD Video 16:9
“Because one thing is stronger than us, namely the eternal progression of time, which never stops and inevitably leads to death.”
Christian Boltanski
An artificial choreography is generated by stringing together and repeating 25 still images. A rhythm is formed by modules of natural and artificial sounds (water drops and the clatter of a machine). A whispering voice recites “The Burial of the Dead” from the poem “The Waste Land” by T.S. Eliot.
In the left part of the screen is a static image that at first glance resembles a sacred motif, perhaps an altar of some sort. In fact, it is a table with a bird’s nest in the light of a neon lamp. In it lie small bird skeletons.
Memento… Boltanski! ” is a vanitas dance on the futility of life.
The basis of this work are photographs in long exposure taken during a dance rehearsal. Since the order of the photos was rearranged by me, the resulting “dance” has nothing to do with the original choreography. On the acoustic level I proceeded in a similar way: from water dripping and machine noises I selected single elements and put them together to a rhythm.
All sounds were produced and edited by myself, exclusively for this work.
Dancer: Dominik Feistmantl
[apvc_embed type=”customized” border_size=”2″ border_radius=”5″ background_color=”” font_size=”14″ font_style=”” font_color=”#938fc5″ counter_label=”Visits:” today_cnt_label=”Today:” global_cnt_label=”Total:” border_color=”” border_style=”solid” padding=”20″ width=”220″ global=”true” today=”true” current=”true” icon_position=”” widget_template=”schattenbox” ]
Return to Paradise
Besides the biblical paradise, there are many “paradises”: childhood or home, for example, are places of longing that are more temporal than spatial. The only way to return to these paradises is to remember. However, the process of remembering is subject to various disturbances. I compare this process to the search for the right radio station, which is disturbed by superimposed frequencies or static noises. Similarly, memory is not always accessible. Often there are only vague images that require a high degree of interpretation.
