Category: Exhibition

Inqrvention is a primitive and technological boldness: on the walls as rupestral paintings, on links as the nature of cyber century demands – do not scan, do not touch the walls, do not open the links, do not destroy the posters, do not shoot pictures.

https://inqrvention.pb.online/manifesto

152-year-old soy sauce brewery has been renovated as a screening venue for this film festival. Tatsuno is located 100 km west of Osaka, Japan. This year is the third edition of this film festival. Last year, the people of Tatsuno organized a new experiment: the Tatsuno International Film Festival – Experimental & Animation Without Dialogue. This film festival is developed from the “Tatsuno Art Project” that started in 2011, and will be managed by the “Tatsuno Art l Executive Committee” in 2022. (In 2021, the festival was managed through a local non-profit organization.) We are working to utilize the cultural heritage that remains in the region, to disseminate excellent art internationally, and to promote communication with local residents.

https://tiff.tatsuno-fest.com/ABOUT

“dança em foco – International Video & Dance Festival was founded in 2003 in Rio de Janeiro as the first Brazilian event to develop the interface between video and dance. Through its actions, it has established itself as a reference point and the main context for the dissemination and development of video dance production in the country. In the 20 years since its creation, dança em foco has gone from Rio to the world, with 38 editions in 13 state capitals, reaching an audience of over 20,000 people in its on-site activities, in addition to the hundreds of thousands who follow the festival annually via the Internet.

Celebrating its 20th edition, the festival will dedicate special attention to productions dealing with gender and sexual diversity, afro-diasporic, indigenous and plural cultures.”

http://dancaemfoco.com.br/projeto/

Diversity is inevitable, especially in the context of the increasingly complex socio-cultural development of today’s society, which also affects the wider variety of language dance films. In 2022, IMAJITARI received around 1,000 works from more than a dozen countries in the world, it illustrates the spatiality of dance film practice which is no longer centralized.

Imajitari Festival Committee